Museum-quality archival print available in the following sizes:
60 × 45 cm (23.6 × 17.7 inches), edition of 25 + 3 artist's proofs, price €6,000
80 × 60 cm (31.5 × 23.6 inches), edition of 15 + 2 artist's proofs, price €9,000
120 × 90 cm (47.2 × 35.4 inches), edition of 10 + 2 artist's proofs, price €13,000
180 × 135 cm (70.9 × 53.1 inches), edition of 5 + 2 artist's proofs, price €22,000
The concept of the “distant lover” in art reflects a tension between closeness and distance, between longing and an unfulfilled presence. In contemporary photography, this motif becomes a multifaceted narrative about relationships that are shaped less by physical encounters than by memory, projection, and emotional resonance. For the photographic artist TINA TRUMPP, who works in the field of fine art photography, the “distant lover” is not merely a real or imagined person, but an inner landscape of desire, melancholy, and quiet intimacy.
A poetic tension emerges in which even absence becomes visible. The “Distant Lover” is at once close and unattainable, present and yet elusive. Nude art becomes the medium through which this ambivalence is captured—a visual language that defines intimacy not through physical closeness, but through what remains unspoken between two people
Museum-quality archival print available in the following sizes:
60 × 45 cm (23.6 × 17.7 inches), edition of 25 + 3 artist's proofs, price €6,000
80 × 60 cm (31.5 × 23.6 inches), edition of 15 + 2 artist's proofs, price €9,000
120 × 90 cm (47.2 × 35.4 inches), edition of 10 + 2 artist's proofs, price €13,000
180 × 135 cm (70.9 × 53.1 inches), edition of 5 + 2 artist's proofs, price €22,000
The concept of the “distant lover” in art reflects a tension between closeness and distance, between longing and an unfulfilled presence. In contemporary photography, this motif becomes a multifaceted narrative about relationships that are shaped less by physical encounters than by memory, projection, and emotional resonance. For the photographic artist TINA TRUMPP, who works in the field of fine art photography, the “distant lover” is not merely a real or imagined person, but an inner landscape of desire, melancholy, and quiet intimacy.
A poetic tension emerges in which even absence becomes visible. The “Distant Lover” is at once close and unattainable, present and yet elusive. Nude art becomes the medium through which this ambivalence is captured—a visual language that defines intimacy not through physical closeness, but through what remains unspoken between two people
