Bild 1 von 1
Bild 1 von 1
Bild 1 von 1
Bild 1 von 1
Museum Archival Print
in following sizes:
60×45 cm (Edition 25 + 3 AP), 6.000,- Euro
80×60 cm (Edition 15 + 2 AP), 9.000,- Euro
120×90 cm (Edition 10 + 2 AP), 13.000,- Euro
180x135 cm (Edition 5 + 2 AP), 22.000,- Euro
About this fine art print:
In Fairy Tale, Tina Trumpp reimagines the timeless dialogue between artist and muse — a theme woven through art history and brought to lyrical life in her contemporary vision of sensuality. Her imagery recalls the golden reverie of Gustav Klimt’s women: radiant, introspective, adorned not with ornament but with light itself. Yet Trumpp’s muse is no passive figure of desire. She belongs entirely to her own story — both subject and author of her inner fairytale.
As in Klimt’s world, the body in Trumpp’s photography becomes a landscape of emotion — luminous, textured, and rich with quiet symbolism. But where Klimt painted gold, Trumpp paints with light. Her camera replaces decoration with truth, transforming the nude into a vessel of self-awareness, a harmony of form and feeling.
Fairy Tale unfolds in silence — a dreamlike space between reality and reverie. Here, sensuality transcends the visible, inviting the viewer into a realm where memory, imagination, and presence merge. The muse no longer serves the artist; she becomes the art itself — breathing, thinking, radiant with her own power.
Through this delicate alchemy of body and spirit, Tina Trumpp creates a new mythology of femininity — one that honors the legacy of Klimt, yet speaks unmistakably in her own voice: intimate, poetic, and profoundly human.
Museum Archival Print
in following sizes:
60×45 cm (Edition 25 + 3 AP), 6.000,- Euro
80×60 cm (Edition 15 + 2 AP), 9.000,- Euro
120×90 cm (Edition 10 + 2 AP), 13.000,- Euro
180x135 cm (Edition 5 + 2 AP), 22.000,- Euro
About this fine art print:
In Fairy Tale, Tina Trumpp reimagines the timeless dialogue between artist and muse — a theme woven through art history and brought to lyrical life in her contemporary vision of sensuality. Her imagery recalls the golden reverie of Gustav Klimt’s women: radiant, introspective, adorned not with ornament but with light itself. Yet Trumpp’s muse is no passive figure of desire. She belongs entirely to her own story — both subject and author of her inner fairytale.
As in Klimt’s world, the body in Trumpp’s photography becomes a landscape of emotion — luminous, textured, and rich with quiet symbolism. But where Klimt painted gold, Trumpp paints with light. Her camera replaces decoration with truth, transforming the nude into a vessel of self-awareness, a harmony of form and feeling.
Fairy Tale unfolds in silence — a dreamlike space between reality and reverie. Here, sensuality transcends the visible, inviting the viewer into a realm where memory, imagination, and presence merge. The muse no longer serves the artist; she becomes the art itself — breathing, thinking, radiant with her own power.
Through this delicate alchemy of body and spirit, Tina Trumpp creates a new mythology of femininity — one that honors the legacy of Klimt, yet speaks unmistakably in her own voice: intimate, poetic, and profoundly human.
