Bild 1 von 1
Bild 1 von 1
Bild 1 von 1
Bild 1 von 1
Museum Archival Print
in following sizes:
60×45 cm (Edition 25 + 3 AP), 6.000,- Euro
80×60 cm (Edition 15 + 2 AP), 9.000,- Euro
120×90 cm (Edition 10 + 2 AP), 13.000,- Euro
180x135 cm (Edition 5 + 2 AP), 22.000,- Euro
About this fine art print:
The motif of the reclining nude, long established in classical painting, finds a subtle shift in the idea of the nu couché tourné—a body turned away, partially withdrawn from the viewer’s gaze. This variation introduces distance and ambiguity, replacing directness with a quieter, more introspective presence.
In the photographic work of photo artist Tina Trumpp, this notion is translated into a contemporary visual language. The turned figure resists full visibility; it is not presented, but encountered. Shoulders, back, and the gentle rotation of the body create a composition that feels both precise and understated.
Light plays a defining role. Rather than fully illuminating the subject, it moves across the surface in controlled fragments—revealing contours while allowing other areas to recede into shadow. This interplay creates a sense of depth and calm, where form emerges gradually rather than all at once.
The absence of direct gaze or frontal orientation shifts the focus from representation to perception. The body becomes less an object to be seen and more a structure to be followed—through lines, transitions, and spatial relationships. This aligns with a broader photographic approach that emphasizes reduction, clarity, and balance.
As fine art prints, these images carry a quiet intensity. They reference the tradition of classical painting while introducing a contemporary sensitivity—one that values restraint, subtlety, and the power of what remains partially unseen.
In this way, the nu couché tourné becomes not only a compositional choice, but a gesture of withdrawal—an invitation to look more slowly, and to engage with the image beyond the immediate.
Museum Archival Print
in following sizes:
60×45 cm (Edition 25 + 3 AP), 6.000,- Euro
80×60 cm (Edition 15 + 2 AP), 9.000,- Euro
120×90 cm (Edition 10 + 2 AP), 13.000,- Euro
180x135 cm (Edition 5 + 2 AP), 22.000,- Euro
About this fine art print:
The motif of the reclining nude, long established in classical painting, finds a subtle shift in the idea of the nu couché tourné—a body turned away, partially withdrawn from the viewer’s gaze. This variation introduces distance and ambiguity, replacing directness with a quieter, more introspective presence.
In the photographic work of photo artist Tina Trumpp, this notion is translated into a contemporary visual language. The turned figure resists full visibility; it is not presented, but encountered. Shoulders, back, and the gentle rotation of the body create a composition that feels both precise and understated.
Light plays a defining role. Rather than fully illuminating the subject, it moves across the surface in controlled fragments—revealing contours while allowing other areas to recede into shadow. This interplay creates a sense of depth and calm, where form emerges gradually rather than all at once.
The absence of direct gaze or frontal orientation shifts the focus from representation to perception. The body becomes less an object to be seen and more a structure to be followed—through lines, transitions, and spatial relationships. This aligns with a broader photographic approach that emphasizes reduction, clarity, and balance.
As fine art prints, these images carry a quiet intensity. They reference the tradition of classical painting while introducing a contemporary sensitivity—one that values restraint, subtlety, and the power of what remains partially unseen.
In this way, the nu couché tourné becomes not only a compositional choice, but a gesture of withdrawal—an invitation to look more slowly, and to engage with the image beyond the immediate.
