Bild 1 von 1
Bild 1 von 1
Bild 1 von 1
Bild 1 von 1
Museum Archival Print in following sizes:
60×45 cm (Edition 25 + 3 AP), 6.000,- Euro
80×60 cm (Edition 15 + 2 AP), 9.000,- Euro
120×90 cm (Edition 10 + 2 AP), 13.000,- Euro
180x135 cm (Edition 5 + 2 AP), 22.000,- Euro
Take Me Back To Parkview Square II by TINA TRUMPP continues the exploration of space, perception, and architectural presence introduced in the first work of the series.
The image is seen through a mirror, creating a perspective that feels like looking through a keyhole. This framing produces a subtle distortion—reminiscent of a fish-eye view—where architecture curves and expands, transforming the scene into a more intimate and almost voyeuristic visual experience.
Characteristic of TINA TRUMPP’s fine art photography is the transformation of reality into perception. The mirror becomes both a visual and conceptual device, shifting the viewer’s point of view and dissolving the boundary between inside and outside, observer and image.
The keyhole-like perspective introduces a sense of distance and curiosity, as if the viewer is granted only a partial, framed glimpse into the space. Geometry, reflection, and light merge into a refined composition that balances abstraction with clarity.
As a fine art print, Take Me Back To Parkview Square II reflects a contemporary photographic language defined by perspective, framing, and visual subtlety, inviting the viewer to reconsider how space is seen and experienced.
Museum Archival Print in following sizes:
60×45 cm (Edition 25 + 3 AP), 6.000,- Euro
80×60 cm (Edition 15 + 2 AP), 9.000,- Euro
120×90 cm (Edition 10 + 2 AP), 13.000,- Euro
180x135 cm (Edition 5 + 2 AP), 22.000,- Euro
Take Me Back To Parkview Square II by TINA TRUMPP continues the exploration of space, perception, and architectural presence introduced in the first work of the series.
The image is seen through a mirror, creating a perspective that feels like looking through a keyhole. This framing produces a subtle distortion—reminiscent of a fish-eye view—where architecture curves and expands, transforming the scene into a more intimate and almost voyeuristic visual experience.
Characteristic of TINA TRUMPP’s fine art photography is the transformation of reality into perception. The mirror becomes both a visual and conceptual device, shifting the viewer’s point of view and dissolving the boundary between inside and outside, observer and image.
The keyhole-like perspective introduces a sense of distance and curiosity, as if the viewer is granted only a partial, framed glimpse into the space. Geometry, reflection, and light merge into a refined composition that balances abstraction with clarity.
As a fine art print, Take Me Back To Parkview Square II reflects a contemporary photographic language defined by perspective, framing, and visual subtlety, inviting the viewer to reconsider how space is seen and experienced.
