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Museum-quality archival print available in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In "Rêverie", nude photographer TINA TRUMPP creates a serene, poetic image within her fine art photography. The image depicts a nude woman playing the cello, yet her face remains hidden from view—her identity recedes into the background, while her body, posture, and the sound of the instrument take center stage in this nude photograph.
Inspired by Johann Sebastian Bach’s Cello Suite No. 1 in G Major, this nude photography series by TINA TRUMPP creates a visual counterpart to the music: clear, minimalist, and yet imbued with deep emotion. Like the opening notes of the prelude, the image evokes a calm movement, a flow that connects the body and the instrument.
In the delicate visual language of nude photographer TINA TRUMPP, the body merges with the cello, becoming a resonating body itself. As a photographic artist, she translates musical structure into visual form—rhythm, tension, and silence become visible in her fine art photography. The absence of the face enhances the timeless quality of her nude photography and directs the focus toward expression, posture, and atmosphere.
Rêverie thus becomes a visual interpretation of music, in which TINA TRUMPP, as a nude photographer, blurs the boundaries between sound, the body, and emotion. A poetic work of nude art and fine art photography that exudes a serene yet deeply moving presence, particularly for collectors.
Museum-quality archival print available in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In "Rêverie", nude photographer TINA TRUMPP creates a serene, poetic image within her fine art photography. The image depicts a nude woman playing the cello, yet her face remains hidden from view—her identity recedes into the background, while her body, posture, and the sound of the instrument take center stage in this nude photograph.
Inspired by Johann Sebastian Bach’s Cello Suite No. 1 in G Major, this nude photography series by TINA TRUMPP creates a visual counterpart to the music: clear, minimalist, and yet imbued with deep emotion. Like the opening notes of the prelude, the image evokes a calm movement, a flow that connects the body and the instrument.
In the delicate visual language of nude photographer TINA TRUMPP, the body merges with the cello, becoming a resonating body itself. As a photographic artist, she translates musical structure into visual form—rhythm, tension, and silence become visible in her fine art photography. The absence of the face enhances the timeless quality of her nude photography and directs the focus toward expression, posture, and atmosphere.
Rêverie thus becomes a visual interpretation of music, in which TINA TRUMPP, as a nude photographer, blurs the boundaries between sound, the body, and emotion. A poetic work of nude art and fine art photography that exudes a serene yet deeply moving presence, particularly for collectors.
