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Museum-quality archival print available in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In "From Above", photographer TINA TRUMPP presents an unusual, almost painterly perspective on the landscape surrounding Mont Saint-Michel. Rather than depicting the iconic structure itself, she focuses on the structures and forms of the surrounding area—seen from above, reduced to lines, planes, and movement.
The composition is reminiscent of a painting: waterways, sand, and natural patterns come together to form an abstract landscape that hovers between reality and painting. In TINA TRUMPP’s visual language, nature becomes a graphic surface in which light and structure create a calm yet complex order.
This deliberate shift away from the subject toward perception itself lends the work a special depth. "From Above" is a fine art photograph that does not document the landscape but interprets it—an elegant work for collectors who appreciate the fusion of photography, abstraction, and painterly aesthetics.
Museum-quality archival print available in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In "From Above", photographer TINA TRUMPP presents an unusual, almost painterly perspective on the landscape surrounding Mont Saint-Michel. Rather than depicting the iconic structure itself, she focuses on the structures and forms of the surrounding area—seen from above, reduced to lines, planes, and movement.
The composition is reminiscent of a painting: waterways, sand, and natural patterns come together to form an abstract landscape that hovers between reality and painting. In TINA TRUMPP’s visual language, nature becomes a graphic surface in which light and structure create a calm yet complex order.
This deliberate shift away from the subject toward perception itself lends the work a special depth. "From Above" is a fine art photograph that does not document the landscape but interprets it—an elegant work for collectors who appreciate the fusion of photography, abstraction, and painterly aesthetics.
