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Museum-quality archival prints in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In “La Comtesse”, TINA TRUMPP once again explores the archetype of elegance—not as a status symbol or ornament, but as an inner attitude and self-control. The title evokes the great tradition of portrait painting and the quiet authority of female figures once captured by painters in silk and shadow. Yet Trumpp consciously breaks away from period costumes and salon settings. Her Comtesse appears unadorned, unprotected, and yet radiant in her simplicity.
In this work, Trumpp redefines nobility. It arises not from lineage or distance, but from authenticity—from the courage to be present, visible, and true to oneself. The light traces the figure’s contours like a memory of color on canvas, and yet the emotion remains unmistakably contemporary. The photograph becomes a dialogue between classical grace and modern intimacy, between the gaze of history and the freedom of the present.
With the keen sensitivity of her photographic eye, Trumpp transforms the act of seeing into a form of reverence. “La Comtesse” is not an object of others’ desire, but a figure of authority in her own right—timeless, self-assured, and in harmony with the space she occupies. Her nudity becomes a crown of light.
Through this balance of strength and gentleness, Trumpp adds a new dimension to the tradition of nude art—one in which beauty is not staged but lived, and dignity quietly radiates from within.
Museum-quality archival prints in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In “La Comtesse”, TINA TRUMPP once again explores the archetype of elegance—not as a status symbol or ornament, but as an inner attitude and self-control. The title evokes the great tradition of portrait painting and the quiet authority of female figures once captured by painters in silk and shadow. Yet Trumpp consciously breaks away from period costumes and salon settings. Her Comtesse appears unadorned, unprotected, and yet radiant in her simplicity.
In this work, Trumpp redefines nobility. It arises not from lineage or distance, but from authenticity—from the courage to be present, visible, and true to oneself. The light traces the figure’s contours like a memory of color on canvas, and yet the emotion remains unmistakably contemporary. The photograph becomes a dialogue between classical grace and modern intimacy, between the gaze of history and the freedom of the present.
With the keen sensitivity of her photographic eye, Trumpp transforms the act of seeing into a form of reverence. “La Comtesse” is not an object of others’ desire, but a figure of authority in her own right—timeless, self-assured, and in harmony with the space she occupies. Her nudity becomes a crown of light.
Through this balance of strength and gentleness, Trumpp adds a new dimension to the tradition of nude art—one in which beauty is not staged but lived, and dignity quietly radiates from within.
