Museum-quality archival prints in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
“Twins II” by TINA TRUMPP continues the visual dialogue established in “Twins I” and shifts the focus toward a more direct and unvarnished presence. Set in the same Wilhelminian-style villa, the minimalist, elegant atmosphere remains intact: white roses on a table in the background create a serene, almost classical stillness.
Unlike in "Twins I", the figure in "Twins II" appears completely nude, wearing only high heels that subtly emphasize her posture, balance, and self-awareness. This reduction intensifies the visual language and brings the body more sharply into focus, without losing the painterly restraint characteristic of TINA TRUMPP.
The absence of clothing dissolves structural layers and directs attention entirely to form, gesture, and presence. The figure becomes both subject and expression, situated in space with clarity and quiet self-assurance. The high heels add a subtle yet decisive touch that shapes the posture and creates a tension between elegance and openness.
A defining feature of TINA TRUMPP’s work is this precise interplay between control and openness. In “Twins II” the image approaches a more direct form of fine art nude photography, in which the body is defined not by its context, but by its own presence in space and light.
As part of contemporary fine art photography, “Twins II” serves as a complementary counterpart—an image that delves deeper into the exploration of identity, perception, and the subtle nuances of human expression.
Museum-quality archival prints in the following sizes:
60 × 45 cm (edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
“Twins II” by TINA TRUMPP continues the visual dialogue established in “Twins I” and shifts the focus toward a more direct and unvarnished presence. Set in the same Wilhelminian-style villa, the minimalist, elegant atmosphere remains intact: white roses on a table in the background create a serene, almost classical stillness.
Unlike in "Twins I", the figure in "Twins II" appears completely nude, wearing only high heels that subtly emphasize her posture, balance, and self-awareness. This reduction intensifies the visual language and brings the body more sharply into focus, without losing the painterly restraint characteristic of TINA TRUMPP.
The absence of clothing dissolves structural layers and directs attention entirely to form, gesture, and presence. The figure becomes both subject and expression, situated in space with clarity and quiet self-assurance. The high heels add a subtle yet decisive touch that shapes the posture and creates a tension between elegance and openness.
A defining feature of TINA TRUMPP’s work is this precise interplay between control and openness. In “Twins II” the image approaches a more direct form of fine art nude photography, in which the body is defined not by its context, but by its own presence in space and light.
As part of contemporary fine art photography, “Twins II” serves as a complementary counterpart—an image that delves deeper into the exploration of identity, perception, and the subtle nuances of human expression.
