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Museum-quality archival print available in the following sizes:
60 × 45 cm (Edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (Edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (Edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In “Cause We’ve Ended As Lovers”, TINA TRUMPP creates a quiet and emotionally charged composition within the realm of contemporary black-and-white nude photography. The image depicts a body lying on the floor, captured in a moment of stillness and self-reflection.
In TINA TRUMPP’s visual language, light becomes a defining element of design. The frame of a window casts a textured shadow across the body, creating a subtle interplay between geometry and organic form. This contrast lends the composition both clarity and emotional depth.
The piece is staged with great restraint, prioritizing atmosphere over narrative. The body appears calm and detached, as if floating between memory and the present. The title adds a melancholic layer of meaning and hints at an ending marked not by drama, but by quiet acceptance.
“Cause We’ve Ended As Lovers” is a sophisticated fine art piece for collectors, in which black-and-white photography, light, and nude art merge into a timeless expression of emotion and form.
Museum-quality archival print available in the following sizes:
60 × 45 cm (Edition of 25 + 3 artist's proofs), 6,000 euros
80 × 60 cm (Edition of 15 + 2 artist's proofs), 9,000 euros
120 × 90 cm (Edition of 10 + 2 artist's proofs), 13,000 euros
180 × 135 cm (Edition of 5 + 2 artist’s proofs), 22,000 euros
In “Cause We’ve Ended As Lovers”, TINA TRUMPP creates a quiet and emotionally charged composition within the realm of contemporary black-and-white nude photography. The image depicts a body lying on the floor, captured in a moment of stillness and self-reflection.
In TINA TRUMPP’s visual language, light becomes a defining element of design. The frame of a window casts a textured shadow across the body, creating a subtle interplay between geometry and organic form. This contrast lends the composition both clarity and emotional depth.
The piece is staged with great restraint, prioritizing atmosphere over narrative. The body appears calm and detached, as if floating between memory and the present. The title adds a melancholic layer of meaning and hints at an ending marked not by drama, but by quiet acceptance.
“Cause We’ve Ended As Lovers” is a sophisticated fine art piece for collectors, in which black-and-white photography, light, and nude art merge into a timeless expression of emotion and form.
