UltraSec® Museum Glass: Making Art Look as If It Has Never Been Touched

Blue Sea, 2023
16,000.00 €

With this abstract oil painting, TINA TRUMPP is breaking new ground in her artistic career. In addition to fine art photography, she began painting large-format works in oil in 2022. The oil painting “Blue Sea” was transferred to Fujitrans slide film using laser exposure.

Mounted with UltraSec® M, an exclusive museum-grade glass, the viewer is able to experience the third dimension of the painting. The oil painting becomes a light sculpture: the latest integrated LED technology illuminates the artwork evenly from behind. It can also be dimmed and controlled via an app. Finally, the artwork was framed with a handcrafted wooden frame.

Edition of 7 + 2 artist's proofs,
145 × 105 × 8 cm, with a handcrafted gray frame

This light sculpture was exhibited at PAN Amsterdam, a renowned art fair for contemporary art in Europe.

IMPORTANT NOTE: Delivery is available only via direct art transport—SHIPPING COSTS WILL BE CALCULATED INDIVIDUALLY AFTER PAYMENT. We recommend contacting us in advance for details.

When you walk through a gallery and feel as though you are standing directly in front of a work of art—no reflections, no distractions, just an unadulterated visual connection—you are likely experiencing the subtle impact of advanced display technology. One such innovation is UltraSec® Museum Glass, a solution designed to make the protective barrier between the viewer and the artwork virtually disappear.

The illusion of having no glass at all

Conventional glass often causes reflections that impair our perception of art. Lamps, windows, and even one’s own reflection can disrupt the viewing experience. UltraSec® Museum Glass addresses this problem with special anti-reflective coatings that drastically reduce reflections while maintaining exceptional clarity.
The result is impressive: colors appear more intense, contrasts sharper, and details more clearly defined. It’s not just about protection—it’s about enhancing the presentation.

Where Technology Meets Artistic Vision

A compelling example of this technology in action is the presentation of *Blue Sea*, an oil painting by Tina Trumpp. Known for her atmospheric compositions and expressive use of color, Trumpp’s work thrives on subtle color gradients and textures.
For the exhibition, *Blue Sea* was carefully transferred onto Fujitrans paper—a high-quality photographic medium known for its ability to reproduce the finest details and intense color depth. Through this process, the original oil painting was transformed into a luminous exhibit piece without compromising its artistic integrity.
When combined with UltraSec® Museum Glass, this effect becomes even more striking. The glass enhances the already vibrant Fujitrans print, eliminates reflections, and allows viewers to fully immerse themselves in the multi-layered shades of blue and the flowing movement that characterize the artwork.

Why Fujitrans Paper Matters

Fujitrans is not just any printing medium. It was specifically developed for high-resolution, gallery-quality reproductions. When a work of art like *Blue Sea* is transferred to Fujitrans, it takes on a special depth and brilliance—almost as if the light were radiating from within the image itself.
When combined with UltraSec®, a unique synergy emerges between the material and the technology:

  • Fujitrans paper ensures brightness and precision

  • UltraSec® Glass ensures clarity and protection

  • The artwork remains the true focal point

Protecting Art—Without Compromise

In addition to its aesthetic benefits, UltraSec® Museum Glass also plays an important role in conservation. It blocks harmful UV radiation, thereby reducing the risk of fading over time. This is particularly important for works displayed under bright lighting or in rooms with natural sunlight.
Furthermore, its durability and scratch resistance make the glass ideal for long-term exhibitions where both security and visual quality must be maintained.

A New Standard in Presentation

The combination of advanced materials such as Fujitrans and technologies such as UltraSec® is transforming the way we experience art. Rather than acting as a barrier, the presentation becomes an invisible partner—it supports the artwork without competing with it.
In the case of Tina Trumpp’s *Blue Sea*, this approach allows viewers to engage with the work in an immediate and authentic way. The gentle movement of the colors, the depth of the composition—everything is presented as clearly as possible, as if nothing stood in the way.
Great art deserves to be seen, not hidden. UltraSec® Museum Glass embodies this philosophy by combining protection with a virtually invisible presence. Whether it’s a classic oil painting or a modern Fujitrans transfer—the goal remains the same: to bring the viewer closer to the art.
And sometimes, the most impressive technology is the one you don’t even notice.

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